viernes, 20 de abril de 2018

The apocalyptical 70’s - Essay - 2nd Part.

















Written by Lucy Galvis.

Postmodernism is a process that in my opinión started at the end of 19th Century with changes in different áreas of knowledge. We have four main characters at these period, Marx, Freud, Einstein, and Van Gogh, who proposses new ways of understanding reality. Arts as a reflexión of society explored and took to the border new emotions, topics, and situations. Anyhow, changes are slow, many classic forms from many centuries before were preserved being the main characteristic the Aristotelic way stories are constructed with a start, a development, and an ending. We still get movies based on naturalism with actors from Stanivslasky school that construct characters more or less like real people. These pictures preserve too logical time and space structures. Is technology development which leads to new montage effects, the formats mix and flashbacks, given films its own language different from literature, theater, music and fine arts.

Photography and Cinematography changed painting since the cameras could get similar images from the object shooted and then multicopying it as in printing press. Walter Benjaming explains this process on his essays about the technical reproductibility impact on modernity. At the same time media ended taking images at a high pace to our televisión device, so daily life became faster. Visual artists were changed for the new technology and no longer contracted for wealthy families as traditional so arts moved through out experimental forms with new materials and conceptualisms. This leds to a viewers’ free interpretation of messages from a constructed reality far away from reality, nurturing mainly musical cinematógraphy with surreal stories, actors talking directly to spectators, and the breaking of narrative systems as well as social ways of thinking, conventionalisms and cultural traditions.

Cinematography started a revisión of previous referents, and many musicals came from literature and theatrical titles until a complete desmitification of heroes or making them more human. During a period of time there was a nostalgia of the past, but slowly but surely, montage started to be faster, baroque and aggresive, with the creation of beings and soul’s states with exploration of reality and fiction frontiers. Images became more important than contents.

New wars on 70´s take to a skepticism or a disenchaintment in the story treatment, at the same time that appeared on musical movies explicit sex and violence with foul language without censorship, and taboo subjects and drugs consumption, and extreme human conditions. Moral was argued that took to protagonists serial assassins to become in heroes of their stories. Directors didn´t judge the characters’ actions in order that spectators built up their own opinión, replacing absolute values as God, Fatherland, Science for little tales about everyday life, as well as, the appearance of topics related to multiculturalism, sexual diversity, new family types, and ecology.

Some postmodern movies are Chicago, a movie based on a book which tells a 20’s story about Roxie, a singer and dancer who kills her producer and goes to jail but finds a lawyer that helps her to scape from death penalty and finally triumph as an artist. The movie remarks feminism, ambition out of limits, it shows strong courageous women that are capable to defend themselves from abuse and discimination; Mamma Mia tells the story of a woman that doesn´t know who her father is and got three options and decide to go and meet every one of the posible dads; and The Rocky Horror Picture Show, based on an english, 1974’s theatrical staging  about homosexuality.      

Chicago.
https://www.youtube.com/watch?v=qrrz54UtkCc
Mamma Mia
https://www.youtube.com/watch?v=36vwk1IZWTA
The Rocky Horror Picture Show
https://www.youtube.com/watch?v=bc80tFJpTuo


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